Friday, December 24, 2010

Keep Christ in Christopher

It's that time of year again, folks. The time when people celebrate without keeping in mind the man who made it all possible. They sign their names to their $200 gifts with not so much as a thought to their blasphemy. A sin so big, it's a wonder why the "God hates fags" people aren't all over it.

Yes, folks, I'm talking about Christophers.

Not all Christophers, mind you. In fact, "Christopher" is a perfectly fine person and I and the Lord have no beef with him. I'm talking about all of you Chris-es.

You know who you are. You remove the second half of your name because it's "too long" or "not cool" or "confuses people with its 'P-H means F'" sound. Well nobody said life would be easy for you.
When you write your name on that Christmas gift, you're signing a contract with God. You're saying that you agree to live by his rules and love him for all eternity. By shortening it to "Chris" you might as well be wiping your poo away with that contract. God forgive me for that language.

And then we have the most offensive naming of all; Topher Grace. Christopher Grace, despite his last name, hates the Lord so much that he wanted to remove as much of Jesus' name as possible from his own without having to resort to the questionable "Opher Grace."
Well, when Christopher Grace is burning in Hell, maybe he and Satan can get together and make a new TV show called "That 1070 Degrees Show"! Lol!

I added a visual aide in case some of you didn't get it. I'm also not sure if Topher Grace eats babies, but I wouldn't put it past him since he hates Jesus so much.

And don't even get me started on "Christina." If Jesus wanted to have a girl's name, he would have come to Earth as "Juanita" or something.

So this CHRISTmas season, remember to pray for all the Chrises and Tophers out there who deny Jesus in their daily lives by using this sinful name. I hope everyone has MERRY AMERICAN CHRISTMAS, and God Bless!

Wednesday, December 8, 2010

How I Know "Red Riding Hood" Will Suck Based on the Poster Alone

I don't know if you've seen this little beauty in the cineplex around town. I have, and it enrages me every time I walk by it. Why? What causes this near-embolism every time I glance up at this corporate misstep? Well, I'm glad you asked. Let's break it down.



Our first red flag (heh) is the scrawl at the top: "From the Director of Twilight." Fucking fantastic. Somewhere along the line, legions of teenage girls convinced this woman and the movie studio behind her that she had any talent at all. Well, Miss Hardwicke, you moat creature, they're mistaken. "Twilight" did well because the main character, a vacant slate who is pined after by two young men who would never find interest in someone so boring, comes with the inhuman ability to have the reader's/viewer's wants and needs projected onto her. She is wish-fulfillment. Ask any 38-year-old single mom. Saying your movie is made by the director of Twilight is akin to telling someone your car is built by an American car company. It's technically a car, but that doesn't make it interesting or competently made in the least.

Number two: Believe the legend. One of the earliest versions is the Little Red Riding Hood story was in a book called "Tales of Mother Goose." Call me crazy, but I think appearing in Mother Goose makes you a fairy tale, which is decidedly different from a legend. King Arthur is a fucking legend. Sleepy Hollow is a legend. It's right there in the title! The Brothers Grimm, whom you might remember from FAIRY TALES such as "The Little Mermaid" and "Rumpelstiltskin" said that a legend was a "historically grounded" folktale. When scientists discover the fossil of a wolf wearing pajamas we'll talk. In the meantime, stop calling this a legend. That's like me calling my blog a "peer-reviewed scholarly document."

This brings us to the image itself. we have dreary woods and a bright red cloak. Not only does this bring flashes of stilted, wooden, dreary "Twilight" dialogue, but also the imagery of another fantastic Hollywood triumph, "the Village," by M. Night Shyamalan. Is that fair? The "Riding Hood" story has been around forever, with its roots in "The Bible and other fantastic stories,"* so Shyamalan could have taken cues from that and transplanted them into his story. That way it's just two different auteurs drawing from the same inspiration, right? Well, I don't want to give either of these terrible directors the benefit of the doubt, so Shyamalan is stealing and Treebeard up there is just unoriginal.

Now we have the logo, presented in the same stunning way as the title to "300." Blood spatters; is there anything they can't artificially hype up?

That was a quick point, wasn't it?

And at last, we have "Who's afraid?" That's not a bad tagline. It teases the audience with the appearance of the Big Bad Wolf (who is probably a glistening werewolf in this adaptation) and the adventure that will ensue. "Who's afraid of the Big Bad Wolf," indeed. Tra la la la la.

Wait. That's not from the Riding Hood story. That's from the Three Little Pigs. No, not the character of the Wolf, but that line. That lyric that is supposed to be the clincher for the whole film is stolen from a song featured in a 1933 Disney cartoon! They can't even keep their source material straight.



I don't know about you all, but I'll be in line to see this movie come March so I can make wolf shadow puppets on the screen. I like to bring a little realism to the movies.

* Not true. I just wanted to take an easy swipe at the Bible.

Thursday, November 18, 2010

Demi Lovato is in rehab

I really should have posted this a week ago, but I had no idea who she was then. Well, this should be all the proof you need to know that my last article was 100% accurate.

Monday, October 11, 2010

I love the Disney Channel.

Believe it or not, there was once a time in American pop culture when Disney was the gold standard for a brand. They put out high quality programming, movies, products, and even had a theme park that didn't require you to sell your children to sweat shops to visit. But, as we all know, when you're at the top there's only one place to go, and it ain't a plateau.
In the Disney Channel's infancy it was actually a pay channel like HBO or Showtime. Unfortunately this required them to use effort or people would stop paying for them. It ran shows like "Under the Umbrella Tree" and "Dumbo's Circus" and Mickey Mouse even taught you how to do aerobics.
(Mousercise pics from http://www.platypuscomix.net/history/exercise.html)

Yeah. You're seeing that correctly. That's someone dressed as Donald Duck standing in close proximity to a woman (who is not a young Rue McClanahan) who is wearing leg warmers. And I'm assuming he knows he's in front of a camera. Can you imagine the preparation he must have to put himself through every morning to go to work? Not stretching, but convincing himself that life is still worth living? Plus, I can't imagine Donald wouldn't have a visible erection wearing no pants and being around that many women in tights. Why is he dressed like a sailor even when he's doing warm-ups?

(Not the same person)

At any rate, at some point Disney decided that this was not a quick enough way to bring down western civilization and they became a basic cable channel, bringing you such quality programming as "Hannah Montana" "That's So Raven!" and "The Jonas Brothers Fellate the Neighbors."

This is the Disney Channel you are familiar with. The Disney Channel that has since poisoned every industry from music to TV to clothing to movies to cooking (probably). The Disney Channel that I love.

That's right. I fucking love it. Why, you might ask? Because of a simple theory I have that has thus far proven to be true. Disney gets genetically perfect kids, exploits them for all they're worth, and kicks them to the curb once puberty sets in. Sound about right? Well, let's explore why it's so fantastic together.

Step 1: You're hired!... As a bit player of a currently hot show.

Disney likes to test the waters. Sure, your fourteen-year-old genes might make people born with flippers for arms wish they had a third of your looks. Sure, you may have broken up a neighbor's marriage because the bored husband was taking pictures of you through the curtains, but are you talentless yet pretty enough to carry your own show? Disney will shoehorn you into the background of a currently running TV show to see how well you can follow directions and appeal to the market before the next Demi Lovato becomes the next Hilary Duff. If you're vaguely ethnic, even better. Vaguely ethnic pretty young people appeal to young ethnic kids who are looking for role models and young white kids who want to frustrate their parents.

(I can't believe you got your own franchise either.)

Step 2: Your very own show!

Congratulations! Disney was probably convinced you deserve your own show because you're thin and pretty and can kind of sing! Good for you! Are you ready to churn out CDs to children whose parents will soon lose their minds by listening to your interpretation of "Let's Get Together" over and over again? Hooray! Let's give you a name that sounds kind of like yours and put you in a familiar location and make it completely wacky. Like in middle school, but you're secretly an international rock star! Or in middle school, but you're a witch! Or in middle school, but you can see the future! That's so interesting! That's so awesome! That's so Raven! Now, we're only going to make three seasons of your show. During those three seasons there will be no character development at all. Everyone must stay the way there are and have one character trait. We don't know how to develop people with more traits than that. Characters who we write as your best friends may not have the appeal we need, so we might fire them in the middle of a season, so continuity is a big no-no. Finally, we're only going to give you three seasons because after that our studies show that you n longer have that innocent look and parents will be looking for the next thing to keep their kids sheltered. But don't worry, we'll have a huge theatrical movie that will cap off the series, although almost every secondary character will be missing and it'll be focused on you and a far-off location and a love interest. But you'll get to sing all the music for the soundtrack and this will launch your music career, which we'll manage.

Step 3: Life A.D. (After Disney)

Now that you're too old for TV appeal, we'll keep churning out your CDs until the next thing on the Disney Channel usurps you. That'll be good for about six months. Meanwhile we'll rerun your show for the next five years, gaining any cash from residual marketing and interest. You may feel that you're getting a bit too old for Disney now. Instead of letting you live in obscurity with the money you don't deserve, we're going to keep whoring you out like the cash cow you are. You'll be 26 and still playing a 15 year old, but we won't tell anyone.
You may also be noticing things about your persona now. You're barely 18 now and the media is starting to sexualize you. That tends to happen when genetically perfect children grow up and blossom. You're a hottie. But don't let anyone know. Your nightclub antics are starting to catch up with you. All that cocaine might be good for your figure, but parents tend to frown on that kind of thing. That's fine, but expect us to distance ourselves from you as soon as this happens. If you're still making money for us in "High School Musical 7: The Community College Years," we'll put out a statement of support and let you off with a warning. Next time you're on your own.


4. Ok, ok we get it.

You want to move on. You don't want to be perceived as another kiddie Disney princess, so you'll be looking for breakout roles outside the company. Your career with us has come to a halt. You're tried to explore other things, but they're just not successful. It's almost as if you never had the talent we told you you had. Like all you had going for you was marketability and good looks. Like the only reason you're still relevant is because men just wanted you to turn 18 so they could jerk off without the tinge of guilt. But fine, get out of here. Don't try to come back. But somehow, despite your lack of talent and range, you really want some work that will make people take you as a serious actress and not just someone who could do a double take in a school gym.


5. You're an adult.

So, doesn't it feel good to be away from Disney? What a bunch of assholes. But hey, you're pretty and talented. You're signed with us now. You have this drive to be considered a serious actress even though you don't have the chops for it. And you're desperate to stand apart from that cute role that got you famous. What would be the logical ting for a pretty young girl who wants to be seen as an adult and has been lusted after for years?